Fecha: 22 de junio de 2011
Hora: 19:30 h
Lugar: Edificio Nouvel, Cafetería (Museo Reina Sofía)
Entrada: gratuita hasta completar aforo (previa recogida de tickets)www.museoreinasofia.es
Una actuación muy especial de Cibelle (solo) dentro del nuevo ciclo Espacio acústico #1 organizado por el Museo Reina Sofía en colaboración con Mahou y su iniciativa Afterwork by Mahou Premium Light
Hora: 19:30 h
Lugar: Edificio Nouvel, Cafetería (Museo Reina Sofía)
Entrada: gratuita hasta completar aforo (previa recogida de tickets)www.museoreinasofia.es
Una actuación muy especial de Cibelle (solo) dentro del nuevo ciclo Espacio acústico #1 organizado por el Museo Reina Sofía en colaboración con Mahou y su iniciativa Afterwork by Mahou Premium Light
Una de las más imaginativas artistas del panorama actual, Cibelle llamó la atención como vocalista del último album de Suba "Sao Paulo Confessions", Después de un brillante álbum de debut auto titulado "Cibelle", su segundo trabajo "The Shine of Dried Electric Leaves" cosechó criticas entusiastas, manejando una rica paleta de instrumentos, cautivadores paisajes sonoros e historias encantadas. Grabado y producido por Cibelle en colaboración con Mike Lindsay (Tunng), Apollo Nove y Yann Arnaud (Air), incluia duetos con Seu Jorge, Spleen y Devendra Banhart.
Cibelle es originaria de Sao Paulo, Brasil y lleva muchos años residiendo en Londres
Discografía:
- Cibelle, Crammed Discs, 2003
- About a Girl, EP, Crammed Disc, 2005
- The Shine of Dried Electric Leaves, Crammed Discs, 2007
- Green Grass, EP vinyl, Crammed Discs, 2008
- White Hair, EP, Crammed Discs, 2009
- La Venus Resort Palace Hotel, 2010
Lo que ha dicho la crítica de anteriores trabajos:
“Cibelle has crafted a sophisticated trilingual pop record, spinning twitchy electronics, American freak-folk, and Brazilian traditions into a glittering tableau All the more radiant for their partial construction, Cibelle's songs are marked by a billowing drift, with pliant, meandering melodies and progressions that seem less linear than mutational, evolving toward realization by gradual degrees”
Pitchfork (USA)
"The sound of the summer…however this isn't your average summer… Opening with a Tom Waits cover is risky, but transforming his growl into Joanna Newsom meeting Edith Piaf proves that Cibelle's not only unafraid to mess with preconceptions, she's also a budding star"
NME (UK)
"A seductively inventive record"
Uncut (UK)
"The ideal soundtrack for indie picnics this summer. It's wonderfully refreshing to find intelligence and unconventionality worn so lightly and sunnily. This is iced mint tea for the ears”
Daily Telegraph (UK)
"Collaborations [with CocoRosie sideman Spleen and with Devendra Banhart] suggest an alignment with the voguish freak-folk scene, but Cibelle steers thankfully clear of the childish contrivances of those acts while retaining the endearingly patchwork quality of their music. There are many moments of spellbinding intimacy to be found here"
The Guardian (UK)
"She's a canny pop amalgamator, experimenting with soundscapes but never forgetting about tunes… Even when her music is most borderless and surreal, she never sounds disoriented"
The New York Times (USA)
"Haunted, cut-up, serenely twinkling electro-acoustic folk-pop… This is my ideal sound and you need to hear it now because then it will be your ideal sound too"
Pop Matters (USA)
"She's found the recipe for delicate and tasty music which blends songwriting and cutting-edge wizardry…A rich palette of colours and heady perfumes. Gifted with sensitive and powerful antennaes, she transforms all the information she absorbs to create a universal language"
Les Inrockuptibles (France)
"A delightful surprise to those who enjoy their music heady as well as luscious, and with a literate, worldly edge"
All Music Guide (USA)
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